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вЂ“ Who he inspired: Billie Holiday, Ella Fitzgerald, Louis Prima, Tom Waits вЂ“ Essential listening: вЂњWest End BluesвЂќ (1928) He was hospitalized in 1917, moved to a mental institution, and died April 1 of that year. Joplin by 1916 was suffering from advanced stages of syphilis, which historians surmise he contracted decades earlier. Joplin published his most famous work, вЂњMaple Leaf Rag,вЂќ in 1899 and thereby cemented his legacy as the King of Ragtime. Ragtime drew on songs from minstrel shows, cakewalk dance rhythms, and Black banjo music. He collaborated with local musicians to write ragtime music, a style of syncopated beats and accents popular at the time that would form the foundations of the Harlem stride style of piano playing and the forthcoming jazz era. There, he got jobs at two social clubs for Black men that were founded in 1898: the Black 400 and Maple Leaf clubs.

He eventually settled in Sedalia, Missouri,В for several years. By the time he was a teenager, he was making a living as a music instructor and piano player, traveling as far as Syracuse, New York,В for gigs and playing in various groups including the Queen City Cornet Band and Texas Medley Quartette. The second of seven children, his father was a former slave who worked on the railroads for a living and played violin his mother was a house cleaner, singer, and banjo player.

Scott Joplin grew up along the borders of Texas and Arkansas in a musical family. вЂ“ Who he inspired: Claude Debussy, Igor Stravinsky, Fats Waller вЂ“ Essential listening: вЂњMaple Leaf RagвЂќ (1899) вЂ“ Born: 1868 (approximate-actual birth date unknown) Michael Ochs Archives // Getty Images Scott Joplin

#Drake feat stevie wonder doing it wrong tv

You may also like: The 100 best TV shows of all time Keep reading to learn about 41В Black artists music wouldnвЂ™t be the same without-and be sure to check out our curated Spotify playlist of essential listening from each. From Marian Anderson, who inspired Eleanor Roosevelt to drop out of the Daughters of the American Revolution when the group wouldnвЂ™t allow Anderson to sing in front of an integrated audience (Anderson ended up singing in front of 75,000 people at the Lincoln Memorial and was the first Black person to perform with the Metropolitan Opera in New York), to Ray Charles, who refused to perform for an all-white audience in Georgia, there is example after example of musical icons who used their platforms to make incremental changes driving toward a more perfect union. Artists highlighted in this gallery changed the course of music by doing something entirely new with it rather than simply building upon the legends who came before (although those in this list certainly did that, as well).Д«eyond musicianship, many Black artists throughout history also saddled additional burdens and bravery by challenging the status quo (often against all odds) and pushing for equity. To help narrow the field, we focused on artists whom scholars can definitively conclude altered the musical landscape in some dramatic fashion. Paring the list down to just 41В was a challenge (the gallery could easily include hundreds)-so there are certainly icons missing, including powerhouses like LightninвЂ™ Hopkins, Wilson Pickett, Mary Wells, Roberta Flack, Tina Turner, and Gloria Gaynor-each of whom has made significant contributions to music in his or her own right.

To take a closer look at how Black musicians shaped American music, Stacker pored through historical documents, recordings, Billboard charts, and studied similarities in various musical acts over time to determine 41В artists music wouldnвЂ™t be the same without.